Wednesday, December 16, 2009

MSN's Top 10 of 2009


The MSN critics have near impeccable taste. Their list of the top 10 of 2009 will probably be the closest to mine. Much kudos to them putting Bad Lieutenant: Port of Call New Orleans on their as well as them putting Inglourious Basterds so high. To make it even more legit, they also added the individual lists of their panel of critics. Big props to them putting some of the seriously underrated movies of the year Public Enemies and Observe and Report. Check out both here

Tuesday, December 15, 2009

Three Tomatoes are Walking Down a Street...


I post in this shit freely. No rules. Never were, never will be. This is my sweet declaration of freedom, like good ol' TJ, breaking more ground than an earthquake or a really fat person walking in a cartoon. I don't know why I get discouraged by the fact that my blog isn't read by multitudes of people. It's not like I gave a shit when the only one reading my diary back in 'nam was my charlie overseer in the prison camp. I still wrote my things down, so I guess I'll continue. Fuck it, whatever.

Anyways, can't believe I haven't posted a response upon my seeing Bad Lieutenant: Port of Call New Orleans. I have seen it four times in theaters as I write this if that's any indicator of the supreme level enjoyment this film gives me. Seriously, if you're in OC you have no excuse not to see this... it's playing at the Campus theater in Irvine and the Regency theater in Laguna Niguel. Herzog and Cage throw a most incendiary molotov cocktail into the stale police-procedural drama genre and it is endlessly gratifying. Herzog subverts the genre conventions by completely obliterating them. What maybe begins like your typical crime show or cop movie increasingly becomes a delightfully evil and hallucinatory story. This maybe the first time I've ever seen a POV shot from tripping iguanas or break dancing souls. Or lucky crack pipes.

Bad Lieutenant: Port of Call New Orleans is easily one of the best films this year. Cage is quite possibly the most fearless actor with the most on-screen presence working in film today. It's a testament to his work that anyone could make that statement after all the shit movies/roles he's done. But when he's on, like he is here, he's fucking on and I'd like to see anyone else try and touch him. This is a film where the plot gradually becomes irrelevant and instead we sit back and bask in the wonderfully rich and crazy world, characters, and perspective of Louisianna, cops and criminals that Herzog and Cage have provided for us.

Tuesday, November 17, 2009

My New Favorite Actor/Person



"According to published reports, over the years Cage bought two Bahamian islands, more than dozen houses around the world, scores of exotic sports cars as well as dinosaur skulls, meteorites and yachts (he's suing former money manager Samuel J. Levin and his firm for $20 million in Los Angeles Superior Court, claiming Levin fattened his own bank account while "sending Cage down a path toward financial ruin")"

Sunday, September 13, 2009

I'm a Fan of Big Fan


I loved this movie. If it is playing anywhere near you, make the trip to go see it! This is the screenwriter of The Wrestler's directorial debut, and man am I excited at his (Robert Siegel) potential. This is an excellent second offering after writing one of my favorite films ever made. Big Fan is another character study of a die-hard, verging on obsessive, NY Giants fan named Paul Aufiero played by Patton Oswalt. Oswalt packs in a powerful performance that reflects his depth and dynamism as an actor, whose as good at that as he is a great comedian.


In many ways Big Fan is a look at an alienated, poor, isolated individual with an obsession and the dangerous consequences those circumstances and personality traits produce. However, I believe that the film is largely more redemptive and sympathetic to Paul and his friend Sal (played by the equally great Kevin Corrigan). Paul and Sal's fandom is their only sense of purpose and connection in a pretty cold and alienating world. Paul in particular, writes pretty clever and insightful sports analysis and delivers this well on sports talk radio almost every night. Maybe if he had had the opportunities of a jounalism major at a nice college he could easily be a sports writer or TV/radio pundit. Either way, he still has something that he puts his heart, mind, and soul into and gets heard and respect on the radio for it.


Which leads into some of the other aspects of the film. The realism of this film is tremendous. Characters are complicated and criticized, the urban decay and poor working-class world of the Rugged Shaolin that Paul inhabits is depicted wonderfully. This world is also often juxtaposed, during scenes and moments of conflict, in contrast with the world of the wealthy. Whether it be the rich/party/night-club manhattan lifestyle of Paul and Sal's favorite Giants player or the lavish, suburban family life of his rich, sleazy, trial lawyer brother. It is also portrayed at Paul's work in a parking garage, where his rich customers in their nice cars constantly look down on him and treat him like dirt.


Paul has nothing but contempt for this world in a way, but he is still mostly concerned about Giants football. However, it obviously affects him. He is bored with his lame brother-in-law who is in management for price club and that's all he talks about. He has no illusions about his rich brother's greed and the hollow life he fashioned for himself with his stupid, mistress, overly tanned, boob and nose-jobbed, trophy wife. Yet, since he can not afford a nice house or fancy things, and chooses to not want to meet and marry gold-digging ladies, he gets criticized and condescended upon by everyone in his life. At least he has something to look forward to every day. He works, goes out and eats with his friend. It's not like he's some unemployed mooch of the family. His only flaw is that he's poor and different.


Anyways, that's where I believe Big Fan is a complicated character study that paints a dark and dangerous picture of the potential consequences of the effects Paul's surroundings, as well as his fandom, but is also sympathetic to Paul (and Sal) and critical of the values and world they inhabit. That's the brilliance of this movie, Siegel's writing/directing, and Oswalt's performance. It's sweet, sad, smart, funny, realistic and dark. I can't say enough good things about this movie, go see it if you have the chance.

Selling Out


What finally popped this luddite's cherry? I always loved the experience of going to video rental stores (and libraries). When you have no life like me you do not want to take one of the few things you like to actually go out into the world and do away. However, I was getting fed up with the lack of selection at all rental stores (indie ones included). Nothing can beat Netflix selection so I just had to go for it and now I'm having fun with it. My queue is obscenely large. The first movie I've gotten from Netflix is McCabe and Mrs. Miller, a classic, supposed hallmark of film, that I have a hard time finding at the stores.

Feeding the Addiction

Here's the report from my recent dvd-purchasing splurges.

Amoeba Hollywood:

Godfather Trilogy

George Washington (Criterion Collection)

Chungking Express

Dawn of the Dead (78) - Finally I own this! I've been relying on Katie's copy for too long!

Scanners

The Thing

Cabin Fever

Hostel 2


Target:

The Office Season 5 (I got the Target exclusive edition with the Michael Scott Paper Company cover!)

Adventureland

I Heart Huckabees (underappreciated)

Superman Returns (also underappreciated)

The Hills Have Eyes Remake (Unrated)

Blockbuster:

A Simple Plan

Wednesday, September 2, 2009

I Coined Calling Jason "Master Bateman"

.... but I guess it's ok if these dudes bite it.